Stanford Sculptor featured at NYC show

by Don Conklin

Stanford is not typically known for its artists, but Ann Froman is a
notable exception. Froman, a sculptor and multi-media artist, has
spent 20 years living right off Stanford Road in Stanfordville, where she creates critically acclaimed work that is displayed in private, national and international collections. A selection of her work will be displayed at the 20th anniversary of Art Expo New York, at the Jacob Jarvits Center in midtown Manhattan, from March 7 to 9, 1998.

"I did this collection to help people have healthier lives and relation- ships. Women's struggles have remained constant from Biblical times ... (but) families have been changing, breaking up, people have second and third marriages. "Portrait of a Family"

"Broken Dreams", shows this. It actually turns on an axis, showing the course of the relationship. It came out of a broken marriage that I went through," Froman said.

This kind of personal detail and desire to instruct is a constant in Froman's work. "Portrait of a Family ..." is a sculpture in three parts, the first showing a happy and whole family, enjoying the pleasures of domesticity; the second showing them in the throes of divorce; the 3rd showing a partial reconciliation as grandparents come to care for the children and parents part ways.

In these figures, friends and relatives as well as cultural archetypes and national trends are visible. "Portrait..." deals with what Froman feels is a paradigm shift in the nature of the family on the most huma- nist, most detailed level, and the effect is powerful.

All of her sculptures show the same roots in personal experience, the same startling realism. The effect is even more pronounced in her acrylic work - figures of crystalline beauty and stark grace that seem to shine from within while maintaining a life like quality.

In addition to the romantic images of her series, "The Art of Loving," Froman has also done work based on the Holocaust and the Bible. Her nine- foot bronze sculpture "Survival" is dedicated to the survivors of World War II. The piece, in smaller form, resides in the collection of Time Warner and Radcliffe College.

Survival "Survival" depicts a huddled mass of people on an expressionless surface. Men, women and children gather together for warmth as people in the center of the group raise up one in their midst towards a platform that seems to levitate above them.

Some men are sitting on the platform impassively, reading books. One holds a flag. But two of them are straining to raise their comrade from below to be with them. Their faces show the stress as they grab his arms and pull, frozen forever in a state of suspended animation.

The interesting thing about the piece is that the man who is being pulled up from the destitute crowd is
actually supporting those above him - his arms are the stilts by which the platform stays aloft. The message is clear: society rests on the shoulders of the downtrodden. Don't give up hope of survival.
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