by Don Conklin
Stanford is not typically known for its artists, but Ann Froman is a
notable exception. Froman, a sculptor and multi-media artist, has
spent 20 years living right off Stanford Road in Stanfordville, where she creates
critically acclaimed work that is displayed in private, national and international
collections. A selection of her work will be displayed at the 20th anniversary of Art Expo
New York, at the Jacob Jarvits Center in midtown Manhattan, from March 7 to 9, 1998."I did this collection to help people have healthier lives and relation-
ships. Women's struggles have remained constant from Biblical times ... (but) families
have been changing, breaking up, people have second and third marriages. "Portrait of
a Family"
"Broken Dreams", shows this. It actually turns on an axis, showing the course of
the relationship. It came out of a broken marriage that I went through," Froman said.
This kind of personal detail and desire to instruct is a constant in Froman's work.
"Portrait of a Family ..." is a sculpture in three parts, the first showing a
happy and whole family, enjoying the pleasures of domesticity; the second showing them in
the throes of divorce; the 3rd showing a partial reconciliation as grandparents come to
care for the children and parents part ways.
In these figures, friends and relatives as well as cultural archetypes and national trends
are visible. "Portrait..." deals with what Froman feels is a paradigm shift in
the nature of the family on the most huma- nist, most detailed level, and the effect is
powerful.
All of her sculptures show the same roots in personal experience, the same startling
realism. The effect is even more pronounced in her acrylic work - figures of crystalline
beauty and stark grace that seem to shine from within while maintaining a life like
quality.
In addition to the romantic images of her series, "The Art of Loving," Froman
has also done work based on the Holocaust and the Bible. Her nine- foot bronze sculpture
"Survival" is dedicated to the survivors of World War II. The piece, in smaller
form, resides in the collection of Time Warner and Radcliffe College. |